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In this volume, which completes the acclaimed Interpretation commentary series, Robert Jenson offers a systematic theologian’s careful reading of the Song of Songs, also known as the Song of Solomon. Jenson focuses on the overt sense of the book as an erotic love poem in order to discover how this evocative poetry solicits a theological reading. Jenson finds a story of human love for God in this...

we can neither tear our eyes from nor in our finitude bear to look at, and that just so is “mystery.” But in the Song’s allegory—and indeed in the Scriptures generally—it is not so much God who is fascinating and terrible for us, as we who are fascinating and terrible for God. God is fascinated by what is not God: he calls it into being and thereafter will not leave it alone. And he is overwhelmed in his fascination, even unto death on a cross. As to whether the biblical God, in more normal fashion,
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